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And yes, it has a definite 1980svibe, particularly in the instrumental sections. But the song is certainly norehash of other, older material. It is vibrant and original. At the end, AndrewMarr sings, “I never wanted anything tohurt you/And it feels so good to know there’s nothing I can, nothing I can do.”“Boy” is one of myfavorites. Every time I listen to this song, it immediately makes me smile withthat great, bright pop guitar intro. I’m so glad people are still writing songslike this. I’d love if this became a dominant strain in pop music again. Hell,if that happened, I could go back to listening to pop radio stations (somethingI haven’t been able to do since the mid-1980s). “Son, you’ve got much to learn/You’ve got much to learn/So read a bookor maybe two.” This song was released as a single, as well as a music video. Luke Top plays bass on this track.At the beginning of “BigHeart,” the album’s title track, the guitar feels like a slowed down version ofa 1960s riff. The vocals have a near-ethereal quality on this track. It’s astrange, slower tune, with a vulnerability. “Big heart, when will you fail me?"“I Always Thought” also has just a bit of a 1960s flavor.“You Can’t Just StopBeing Cruel” has an interesting combination of a moody atmosphere with a popbeat to get you dancing. I found myself moving to this song, only to then stopand be moved by it on a more emotional level. And then I’d be dancing again. “Tell me how you’ve come, how you’ve come sovery far/And if you only saw what a train wreck you really are.”“Dragging Me To Hell”opens with the lines, “Don’t say that Ihaven’t been there for you in any ways/I cut myself just to make you happy/Andyou’ve been so condescending to me.” This is one of my favorites, and this isone that might get you dancing. I dig how the vocals at moments are really atthe fore, over a good, simple, fun beat. “Just To Be Like You” is anotherbeautiful pop gem with a good beat and wonderful vocals. It has a bright feel,even as Andrew Marr sings lines like, “Oh,just to be like you/Is all I ever wanted to be/Scared and uncommitted to thetruth/That’s what I thought I should be.” This track was recorded with thefull band, the only such track on this CD.  Tim McCoy is on drums; John Barinaga is onguitar; Jared O’Connell is on bass; and Kevin McMahon is on keys. There is acool change in the second half of the song, with a catchy riff. (This was the first track to be released from this album.)“I Can’t Tell,” thealbum’s final track, begins with ethereal vocals, leading to the lead vocals,which also have an otherworldly quality about them, playing over piano. Thissong has quite a different feel from the other tracks. There really issomething angelic about it. “Am I holdingon for no reason, for no reason?” This is such an interesting track toleave us with, with its very sparse percussion and its last line of “I’ve given you everything.” The songthen slowly fades out. CD Track ListAnything To Hurt YouBoyLooking For A ChangeBig HeartYou Can’t Just Stop BeingCruelDragging Me To HellI Always ThoughtDoes It Bring You DownJust To Be Like YouDown On This Southern TipI Can’t Tell Big Heart was released on August 20, 2013 on Dovecote Records.Note: I also posted this review on Michael Doherty's Music Log. 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The vocals have a near-ethereal quality on this track. It’s astrange, slower tune, with a vulnerability. “Big heart, when will you fail me?"“I Always Thought” also has just a bit of a 1960s flavor.“You Can’t Just StopBeing Cruel” has an interesting combination of a moody atmosphere with a popbeat to get you dancing. I found myself moving to this song, only to then stopand be moved by it on a more emotional level. And then I’d be dancing again. “Tell me how you’ve come, how you’ve come sovery far/And if you only saw what a train wreck you really are.”“Dragging Me To Hell”opens with the lines, “Don’t say that Ihaven’t been there for you in any ways/I cut myself just to make you happy/Andyou’ve been so condescending to me.” This is one of my favorites, and this isone that might get you dancing. I dig how the vocals at moments are really atthe fore, over a good, simple, fun beat. “Just To Be Like You” is anotherbeautiful pop gem with a good beat and wonderful vocals. It has a bright feel,even as Andrew Marr sings lines like, “Oh,just to be like you/Is all I ever wanted to be/Scared and uncommitted to thetruth/That’s what I thought I should be.” This track was recorded with thefull band, the only such track on this CD.  Tim McCoy is on drums; John Barinaga is onguitar; Jared O’Connell is on bass; and Kevin McMahon is on keys. There is acool change in the second half of the song, with a catchy riff. (This was the first track to be released from this album.)“I Can’t Tell,” thealbum’s final track, begins with ethereal vocals, leading to the lead vocals,which also have an otherworldly quality about them, playing over piano. Thissong has quite a different feel from the other tracks. There really issomething angelic about it. “Am I holdingon for no reason, for no reason?” This is such an interesting track toleave us with, with its very sparse percussion and its last line of “I’ve given you everything.” The songthen slowly fades out. CD Track ListAnything To Hurt YouBoyLooking For A ChangeBig HeartYou Can’t Just Stop BeingCruelDragging Me To HellI Always ThoughtDoes It Bring You DownJust To Be Like YouDown On This Southern TipI Can’t Tell Big Heart was released on August 20, 2013 on Dovecote Records.Note: I also posted this review on Michael Doherty's Music Log. 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UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/> UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Book Title"/> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}Big Heart, the debut full-length CD from Ski Lodge has more than abit of a 1980s flavor to its sound. Think Modern English or The Smiths. This isa very strong album, with not a single weak track. There are lots of goodvibes, positive sounds, catchy rhythms, and beautiful vocals. And actually thisCD features a great mix of dark and light tones. All songs are originals,written by Andrew Marr. An impressive debut album is made even more impressiveby the fact that Marr plays nearly all the instruments on this release. These songs are also interesting lyrically. In “Does ItBring You Down,” for example, Andrew Marr sings, “You think that you’re so hard/You act like you’ve got something toprove/Emotionally scarred/Nobody’s got it as bad as you/And now you’re sayingyou don’t want to be this way.” We all know someone like this, eh? In thatsong, he also sings, “You say that you’vegot faith/You look like you could use some more/Or maybe just a taste ofeverything you lost the night before.” Big Heart opens with “Anything To Hurt You,” which boasts a greatpop rhythm, with beautiful, moody vocals. And yes, it has a definite 1980svibe, particularly in the instrumental sections. But the song is certainly norehash of other, older material. It is vibrant and original. At the end, AndrewMarr sings, “I never wanted anything tohurt you/And it feels so good to know there’s nothing I can, nothing I can do.”“Boy” is one of myfavorites. Every time I listen to this song, it immediately makes me smile withthat great, bright pop guitar intro. I’m so glad people are still writing songslike this. I’d love if this became a dominant strain in pop music again. Hell,if that happened, I could go back to listening to pop radio stations (somethingI haven’t been able to do since the mid-1980s). “Son, you’ve got much to learn/You’ve got much to learn/So read a bookor maybe two.” This song was released as a single, as well as a music video. Luke Top plays bass on this track.At the beginning of “BigHeart,” the album’s title track, the guitar feels like a slowed down version ofa 1960s riff. The vocals have a near-ethereal quality on this track. It’s astrange, slower tune, with a vulnerability. “Big heart, when will you fail me?"“I Always Thought” also has just a bit of a 1960s flavor.“You Can’t Just StopBeing Cruel” has an interesting combination of a moody atmosphere with a popbeat to get you dancing. I found myself moving to this song, only to then stopand be moved by it on a more emotional level. And then I’d be dancing again. “Tell me how you’ve come, how you’ve come sovery far/And if you only saw what a train wreck you really are.”“Dragging Me To Hell”opens with the lines, “Don’t say that Ihaven’t been there for you in any ways/I cut myself just to make you happy/Andyou’ve been so condescending to me.” This is one of my favorites, and this isone that might get you dancing. I dig how the vocals at moments are really atthe fore, over a good, simple, fun beat. “Just To Be Like You” is anotherbeautiful pop gem with a good beat and wonderful vocals. It has a bright feel,even as Andrew Marr sings lines like, “Oh,just to be like you/Is all I ever wanted to be/Scared and uncommitted to thetruth/That’s what I thought I should be.” This track was recorded with thefull band, the only such track on this CD.  Tim McCoy is on drums; John Barinaga is onguitar; Jared O’Connell is on bass; and Kevin McMahon is on keys. There is acool change in the second half of the song, with a catchy riff. (This was the first track to be released from this album.)“I Can’t Tell,” thealbum’s final track, begins with ethereal vocals, leading to the lead vocals,which also have an otherworldly quality about them, playing over piano. Thissong has quite a different feel from the other tracks. There really issomething angelic about it. “Am I holdingon for no reason, for no reason?” This is such an interesting track toleave us with, with its very sparse percussion and its last line of “I’ve given you everything.” The songthen slowly fades out. CD Track ListAnything To Hurt YouBoyLooking For A ChangeBig HeartYou Can’t Just Stop BeingCruelDragging Me To HellI Always ThoughtDoes It Bring You DownJust To Be Like YouDown On This Southern TipI Can’t Tell Big Heart was released on August 20, 2013 on Dovecote Records.Note: I also posted this review on Michael Doherty's Music Log. " /> Ski Lodge: “Big Heart” (2013) CD Review - Blogs - Butler County Times Gazette
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Ski Lodge: “Big Heart” (2013) CD Review
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Big Heart, the debut full-length CD from Ski Lodge has more than a

bit of a 1980s flavor to its sound. Think Modern English or The Smiths. This is

a very strong album, with not a single weak track. There are lots of good

vibes, positive sounds, catchy rhythms, and beautiful vocals. And actually this

CD features a great mix of dark and light tones. All songs are originals,

written by Andrew Marr. An impressive debut album is made even more impressive

by the fact that Marr plays nearly all the instruments on this release.








These songs are also interesting lyrically. In “Does It

Bring You Down,” for example, Andrew Marr sings, “You think that you’re so hard/You act like you’ve got something to

prove/Emotionally scarred/Nobody’s got it as bad as you/And now you’re saying

you don’t want to be this way
.” We all know someone like this, eh? In that

song, he also sings, “You say that you’ve

got faith/You look like you could use some more/Or maybe just a taste of

everything you lost the night before
.”








Big Heart opens with “Anything To Hurt You,” which boasts a great

pop rhythm, with beautiful, moody vocals. And yes, it has a definite 1980s

vibe, particularly in the instrumental sections. But the song is certainly no

rehash of other, older material. It is vibrant and original. At the end, Andrew

Marr sings, “I never wanted anything to

hurt you/And it feels so good to know there’s nothing I can, nothing I can do
.”








“Boy” is one of my

favorites. Every time I listen to this song, it immediately makes me smile with

that great, bright pop guitar intro. I’m so glad people are still writing songs

like this. I’d love if this became a dominant strain in pop music again. Hell,

if that happened, I could go back to listening to pop radio stations (something

I haven’t been able to do since the mid-1980s). “Son, you’ve got much to learn/You’ve got much to learn/So read a book

or maybe two
.” This song was released as a single, as well as a music video. Luke Top plays bass on this track.








At the beginning of “Big

Heart,” the album’s title track, the guitar feels like a slowed down version of

a 1960s riff. The vocals have a near-ethereal quality on this track. It’s a

strange, slower tune, with a vulnerability. “Big heart, when will you fail me?"








“I Always Thought” also has just a bit of a 1960s flavor.








“You Can’t Just Stop

Being Cruel” has an interesting combination of a moody atmosphere with a pop

beat to get you dancing. I found myself moving to this song, only to then stop

and be moved by it on a more emotional level. And then I’d be dancing again. “Tell me how you’ve come, how you’ve come so

very far/And if you only saw what a train wreck you really are
.”








“Dragging Me To Hell”

opens with the lines, “Don’t say that I

haven’t been there for you in any ways/I cut myself just to make you happy/And

you’ve been so condescending to me
.” This is one of my favorites, and this is

one that might get you dancing. I dig how the vocals at moments are really at

the fore, over a good, simple, fun beat.








“Just To Be Like You” is another

beautiful pop gem with a good beat and wonderful vocals. It has a bright feel,

even as Andrew Marr sings lines like, “Oh,

just to be like you/Is all I ever wanted to be/Scared and uncommitted to the

truth/That’s what I thought I should be
.” This track was recorded with the

full band, the only such track on this CD.  Tim McCoy is on drums; John Barinaga is on

guitar; Jared O’Connell is on bass; and Kevin McMahon is on keys. There is a

cool change in the second half of the song, with a catchy riff. (This was the first track to be released from this album.)








“I Can’t Tell,” the

album’s final track, begins with ethereal vocals, leading to the lead vocals,

which also have an otherworldly quality about them, playing over piano. This

song has quite a different feel from the other tracks. There really is

something angelic about it. “Am I holding

on for no reason, for no reason?
” This is such an interesting track to

leave us with, with its very sparse percussion and its last line of “I’ve given you everything.” The song

then slowly fades out.








CD Track List






  1. Anything To Hurt You


  2. Boy


  3. Looking For A Change


  4. Big Heart


  5. You Can’t Just Stop Being

    Cruel


  6. Dragging Me To Hell


  7. I Always Thought


  8. Does It Bring You Down


  9. Just To Be Like You


  10. Down On This Southern Tip


  11. I Can’t Tell 











Big Heart was released on August 20, 2013 on Dovecote Records.








Note: I also posted this review on Michael Doherty's Music Log.






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