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UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/> UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Book Title"/> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}The Bunny Game is a strange sort of horror film in which aprostitute identified only as “Bunny” in the closing credits is kidnaped andtortured by a truck driver called “Hog.” The film is presented in black andwhite, which has the effect of making the world seem just slightly off fromours, but equally real, like another layer of this life justbelow the surface. The movie opens with aclose-up shot of a woman being suffocated in a plastic bag, then cuts to Bunnyin the act of fellatio, the man’s hands holding her hair. Bunny is havingtrouble breathing too, thus drawing an immediate connection between the twowomen, relating the two experiences in a strange way.Then we see Bunny(Rodleen Getsic) in her world - walking the streets, smoking cigarettes, doingcocaine, being used roughly by another man then crying afterwards, clearlyunhappy with her life. But then she’s back on the street, not changing becauseof that experience. The film quickly establishes the odd pattern of her life. It’sa montage, but it effectively sets up her life.At times, the screen goesblack between scenes, also effectively working to describe her situation – theblackouts, the missing moments when she’s absent from her own life. A john ripsher off during one of those moments. It’s surprising after that when she makesa phone call. Who would she call? She seems so alone. But whoever it is doesn’tanswer. Maybe she called no one. This is a woman who is on her own.All of this really worksto establish her character before the moment when things will go even morewrong for her. And that moment has one of my favorite shots of the film. We seethe truck approaching from a long way off behind her. We notice it, and haveenough time to think about what it means for her before she notices it.  Also, this moment is where she seems her mostat ease, her most calm. She dominates the left side of the screen, as the truckslowly pulls up on the right. It pulls over beside her, and surprises her (butnot us). And then she’s in, doing cocaine with the driver (Jeff Renfro). That’sstill part of her normal pattern, but we know things are now far from normal,even from her version of normal.This is when the filmchanges. Bunny is knocked out for quite a while, and the man plays with her inthe back of his truck. At times it’s intense, though oddly it goes on longenough that you become detached a bit. And when she finally wakes, screaming,chained up, you realize it’s the next day. The truck driver is seated outside,patient. That’s another excellent moment.And then the torturebegins. It’s interesting, because in some ways the first part of the film ismore intense and unsettling than the second. Partly, this is because of the waythe film is cut once it gets to the torture. There’s another montage, of Hog inthe truck and, presumably, at home, torturing another woman. Flashing back tothat other woman eases the tension, rather than creating more, because thatstuff is safely in the past. It would be more intense if the film stayedrelentlessly in the present, with Bunny, there being no escape for her, nor forus. If we stay with her, then we’re experiencing everything with her. The flashbacks effectively give us distance, becausewe have more information than she does. For example, when he shaves Bunny’shead, we’ve already seen him do it to someone else, so it’s not surprising tous the way it would be for her. It’s not shocking. What the other girl’spresence does do, however, is show that Hog’s life follows its own pattern,just as Bunny’s does, and so draws some strange connection between them. There are a lot of crazyflashes and quick cuts, which also seem to remove some of the tension. Thecloser the film gets to a music video, the less real it feels.  I wish the film would hold on some of theshots longer, making the audience really face what’s happening, rather than usingthose short, frantic cuts. Those quick cuts do work in small doses, of course,like a sudden racing of your heart. And there are some really good,well-framed, interesting shots.Plot-wise, not muchhappens. But this film does stick with you. It’s sort of the mood of the thingthat stays with you, as well as some of the images. And both of the lead actors do a great job. There is amoment near the end when Bunny expresses a sort of delirious, demented joy thatis absolutely fantastic.It’s almost a two-personproduction. The director, Adam Rehmeier, is also producer, co-writer, editor,and cinematographer. He also did the original score. Rodleen Getsic, who playsBunny, is also a producer, writer, and costumer. (By the way, her own last nameis tattooed on her arm, and I had mixed feelings regarding that tattoo’spresence in the film. On the one hand, it does make it feel that this is reallyhappening to her; on the other hand, I kept thinking about it, and wondering ifthey couldn’t have used makeup to cover it, as the actor’s name is notnecessarily the character’s name.)Special FeaturesThe DVD contains severalspecial features, including a commentary track by director Adam Rehmeier andstar Rodleen Getsic. The commentary does provide some interesting information.Neither star was an actor prior to this, and Jeff Renfro really is a truckdriver. Adam’s story of meeting Jeff is insane. They shot short days, only fiveor six hours a day. We learn that the shots of the other woman were done inJeff’s own home. Adam and Rodleen do talk briefly about how the film was bannedin the UK. Adam calls the movie, “amodern cautionary tale that’s grounded in reality.”Safety did not seem aprimary concern in making the film. For example, in a shot where Bunny is running,they talk about how Rodleen got metal shards in her feet. But we don’t reallysee her feet in the shot, so the actor could very well have worn shoes. Iassumed she did when I was watching it. Plus, the branding, as it turns out, was real. Jeff Renfro actuallybranded Rodleen Getsic. They talk about how Jeff did it without giving thedirector any signal, and Adam was lucky he was able catch it with the camera.That is insane.The commentary is a bitfrustrating because they don’t answer the biggest question, which is, Whatexactly from this was based on Rodleen’s experience? They hint that this filmwas based at least partially on something from her life, but at no point doesshe indicate precisely which scenes or moments were from her life. Rodleen comes off as a bit of a weirdo in the commentary.She talks about how she saved a bag of her hair from the production, and stillhad it as of the time this was recorded. She also made a gift of some of her hair, and I can't help but wonder how that person reacted. The second specialfeature is a sixteen-minute documentary titled Caretaking The Monster: The Story Of The Bunny Game. This special,which is as interesting as the film, features interviews with Adam Rehmeier,Rodleen Getsic, Jeff Renfro, Gregg Gilmore, and Drettie Page.Here Rodleen does talkbriefly about her actual experience. She says she’s been “abducted more than a couple times. But this one time in particular waspretty savage.”  Jeff talks aboutattacking Adam when they first met. Adam talks about how there was no script,just a story idea. He also says the only things faked in the film are thecocaine and the alcohol.Perhaps the mostinteresting interview is with Gregg Gilmore, who plays Jonas. He’s in only onescene, but originally the film was going to be about his character. He talksabout how and why he decided he couldn’t do the whole film, and that is reallyinteresting. There was no crew for this shoot, and Rodleen was basicallywilling to do anything. Gregg, the voice of sense and reason, says, “It’s thrilling, but it’s so fuckingdangerous.”Rodleen, by the way, iscandid about her feelings about him backing out. And, clearly a bit of a nut,she says, “Part of my soul did die inmaking this film.” The DVD also includes twotrailers for the film, as well as a Poster & Still Gallery.The Bunny Game was released on Blu-ray and DVD on July 31, 2012 throughAutonomy Pictures. 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UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/> UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Book Title"/> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}The Bunny Game is a strange sort of horror film in which aprostitute identified only as “Bunny” in the closing credits is kidnaped andtortured by a truck driver called “Hog.” The film is presented in black andwhite, which has the effect of making the world seem just slightly off fromours, but equally real, like another layer of this life justbelow the surface. The movie opens with aclose-up shot of a woman being suffocated in a plastic bag, then cuts to Bunnyin the act of fellatio, the man’s hands holding her hair. Bunny is havingtrouble breathing too, thus drawing an immediate connection between the twowomen, relating the two experiences in a strange way.Then we see Bunny(Rodleen Getsic) in her world - walking the streets, smoking cigarettes, doingcocaine, being used roughly by another man then crying afterwards, clearlyunhappy with her life. But then she’s back on the street, not changing becauseof that experience. The film quickly establishes the odd pattern of her life. It’sa montage, but it effectively sets up her life.At times, the screen goesblack between scenes, also effectively working to describe her situation – theblackouts, the missing moments when she’s absent from her own life. A john ripsher off during one of those moments. It’s surprising after that when she makesa phone call. Who would she call? She seems so alone. But whoever it is doesn’tanswer. Maybe she called no one. This is a woman who is on her own.All of this really worksto establish her character before the moment when things will go even morewrong for her. And that moment has one of my favorite shots of the film. We seethe truck approaching from a long way off behind her. We notice it, and haveenough time to think about what it means for her before she notices it.  Also, this moment is where she seems her mostat ease, her most calm. She dominates the left side of the screen, as the truckslowly pulls up on the right. It pulls over beside her, and surprises her (butnot us). And then she’s in, doing cocaine with the driver (Jeff Renfro). That’sstill part of her normal pattern, but we know things are now far from normal,even from her version of normal.This is when the filmchanges. Bunny is knocked out for quite a while, and the man plays with her inthe back of his truck. At times it’s intense, though oddly it goes on longenough that you become detached a bit. And when she finally wakes, screaming,chained up, you realize it’s the next day. The truck driver is seated outside,patient. That’s another excellent moment.And then the torturebegins. It’s interesting, because in some ways the first part of the film ismore intense and unsettling than the second. Partly, this is because of the waythe film is cut once it gets to the torture. There’s another montage, of Hog inthe truck and, presumably, at home, torturing another woman. Flashing back tothat other woman eases the tension, rather than creating more, because thatstuff is safely in the past. It would be more intense if the film stayedrelentlessly in the present, with Bunny, there being no escape for her, nor forus. If we stay with her, then we’re experiencing everything with her. The flashbacks effectively give us distance, becausewe have more information than she does. For example, when he shaves Bunny’shead, we’ve already seen him do it to someone else, so it’s not surprising tous the way it would be for her. It’s not shocking. What the other girl’spresence does do, however, is show that Hog’s life follows its own pattern,just as Bunny’s does, and so draws some strange connection between them. There are a lot of crazyflashes and quick cuts, which also seem to remove some of the tension. Thecloser the film gets to a music video, the less real it feels.  I wish the film would hold on some of theshots longer, making the audience really face what’s happening, rather than usingthose short, frantic cuts. Those quick cuts do work in small doses, of course,like a sudden racing of your heart. And there are some really good,well-framed, interesting shots.Plot-wise, not muchhappens. But this film does stick with you. It’s sort of the mood of the thingthat stays with you, as well as some of the images. And both of the lead actors do a great job. There is amoment near the end when Bunny expresses a sort of delirious, demented joy thatis absolutely fantastic.It’s almost a two-personproduction. The director, Adam Rehmeier, is also producer, co-writer, editor,and cinematographer. He also did the original score. Rodleen Getsic, who playsBunny, is also a producer, writer, and costumer. (By the way, her own last nameis tattooed on her arm, and I had mixed feelings regarding that tattoo’spresence in the film. On the one hand, it does make it feel that this is reallyhappening to her; on the other hand, I kept thinking about it, and wondering ifthey couldn’t have used makeup to cover it, as the actor’s name is notnecessarily the character’s name.)Special FeaturesThe DVD contains severalspecial features, including a commentary track by director Adam Rehmeier andstar Rodleen Getsic. The commentary does provide some interesting information.Neither star was an actor prior to this, and Jeff Renfro really is a truckdriver. Adam’s story of meeting Jeff is insane. They shot short days, only fiveor six hours a day. We learn that the shots of the other woman were done inJeff’s own home. Adam and Rodleen do talk briefly about how the film was bannedin the UK. Adam calls the movie, “amodern cautionary tale that’s grounded in reality.”Safety did not seem aprimary concern in making the film. For example, in a shot where Bunny is running,they talk about how Rodleen got metal shards in her feet. But we don’t reallysee her feet in the shot, so the actor could very well have worn shoes. Iassumed she did when I was watching it. Plus, the branding, as it turns out, was real. Jeff Renfro actuallybranded Rodleen Getsic. They talk about how Jeff did it without giving thedirector any signal, and Adam was lucky he was able catch it with the camera.That is insane.The commentary is a bitfrustrating because they don’t answer the biggest question, which is, Whatexactly from this was based on Rodleen’s experience? They hint that this filmwas based at least partially on something from her life, but at no point doesshe indicate precisely which scenes or moments were from her life. Rodleen comes off as a bit of a weirdo in the commentary.She talks about how she saved a bag of her hair from the production, and stillhad it as of the time this was recorded. She also made a gift of some of her hair, and I can't help but wonder how that person reacted. The second specialfeature is a sixteen-minute documentary titled Caretaking The Monster: The Story Of The Bunny Game. This special,which is as interesting as the film, features interviews with Adam Rehmeier,Rodleen Getsic, Jeff Renfro, Gregg Gilmore, and Drettie Page.Here Rodleen does talkbriefly about her actual experience. She says she’s been “abducted more than a couple times. But this one time in particular waspretty savage.”  Jeff talks aboutattacking Adam when they first met. Adam talks about how there was no script,just a story idea. He also says the only things faked in the film are thecocaine and the alcohol.Perhaps the mostinteresting interview is with Gregg Gilmore, who plays Jonas. He’s in only onescene, but originally the film was going to be about his character. He talksabout how and why he decided he couldn’t do the whole film, and that is reallyinteresting. There was no crew for this shoot, and Rodleen was basicallywilling to do anything. Gregg, the voice of sense and reason, says, “It’s thrilling, but it’s so fuckingdangerous.”Rodleen, by the way, iscandid about her feelings about him backing out. And, clearly a bit of a nut,she says, “Part of my soul did die inmaking this film.” The DVD also includes twotrailers for the film, as well as a Poster & Still Gallery.The Bunny Game was released on Blu-ray and DVD on July 31, 2012 throughAutonomy Pictures. 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UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/> UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/> UnhideWhenUsed="false" QFormat="true" Name="Book Title"/> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}The Bunny Game is a strange sort of horror film in which aprostitute identified only as “Bunny” in the closing credits is kidnaped andtortured by a truck driver called “Hog.” The film is presented in black andwhite, which has the effect of making the world seem just slightly off fromours, but equally real, like another layer of this life justbelow the surface. The movie opens with aclose-up shot of a woman being suffocated in a plastic bag, then cuts to Bunnyin the act of fellatio, the man’s hands holding her hair. Bunny is havingtrouble breathing too, thus drawing an immediate connection between the twowomen, relating the two experiences in a strange way.Then we see Bunny(Rodleen Getsic) in her world - walking the streets, smoking cigarettes, doingcocaine, being used roughly by another man then crying afterwards, clearlyunhappy with her life. But then she’s back on the street, not changing becauseof that experience. The film quickly establishes the odd pattern of her life. It’sa montage, but it effectively sets up her life.At times, the screen goesblack between scenes, also effectively working to describe her situation – theblackouts, the missing moments when she’s absent from her own life. A john ripsher off during one of those moments. It’s surprising after that when she makesa phone call. Who would she call? She seems so alone. But whoever it is doesn’tanswer. Maybe she called no one. This is a woman who is on her own.All of this really worksto establish her character before the moment when things will go even morewrong for her. And that moment has one of my favorite shots of the film. We seethe truck approaching from a long way off behind her. We notice it, and haveenough time to think about what it means for her before she notices it.  Also, this moment is where she seems her mostat ease, her most calm. She dominates the left side of the screen, as the truckslowly pulls up on the right. It pulls over beside her, and surprises her (butnot us). And then she’s in, doing cocaine with the driver (Jeff Renfro). That’sstill part of her normal pattern, but we know things are now far from normal,even from her version of normal.This is when the filmchanges. Bunny is knocked out for quite a while, and the man plays with her inthe back of his truck. At times it’s intense, though oddly it goes on longenough that you become detached a bit. And when she finally wakes, screaming,chained up, you realize it’s the next day. The truck driver is seated outside,patient. That’s another excellent moment.And then the torturebegins. It’s interesting, because in some ways the first part of the film ismore intense and unsettling than the second. Partly, this is because of the waythe film is cut once it gets to the torture. There’s another montage, of Hog inthe truck and, presumably, at home, torturing another woman. Flashing back tothat other woman eases the tension, rather than creating more, because thatstuff is safely in the past. It would be more intense if the film stayedrelentlessly in the present, with Bunny, there being no escape for her, nor forus. If we stay with her, then we’re experiencing everything with her. The flashbacks effectively give us distance, becausewe have more information than she does. For example, when he shaves Bunny’shead, we’ve already seen him do it to someone else, so it’s not surprising tous the way it would be for her. It’s not shocking. What the other girl’spresence does do, however, is show that Hog’s life follows its own pattern,just as Bunny’s does, and so draws some strange connection between them. There are a lot of crazyflashes and quick cuts, which also seem to remove some of the tension. Thecloser the film gets to a music video, the less real it feels.  I wish the film would hold on some of theshots longer, making the audience really face what’s happening, rather than usingthose short, frantic cuts. Those quick cuts do work in small doses, of course,like a sudden racing of your heart. And there are some really good,well-framed, interesting shots.Plot-wise, not muchhappens. But this film does stick with you. It’s sort of the mood of the thingthat stays with you, as well as some of the images. And both of the lead actors do a great job. There is amoment near the end when Bunny expresses a sort of delirious, demented joy thatis absolutely fantastic.It’s almost a two-personproduction. The director, Adam Rehmeier, is also producer, co-writer, editor,and cinematographer. He also did the original score. Rodleen Getsic, who playsBunny, is also a producer, writer, and costumer. (By the way, her own last nameis tattooed on her arm, and I had mixed feelings regarding that tattoo’spresence in the film. On the one hand, it does make it feel that this is reallyhappening to her; on the other hand, I kept thinking about it, and wondering ifthey couldn’t have used makeup to cover it, as the actor’s name is notnecessarily the character’s name.)Special FeaturesThe DVD contains severalspecial features, including a commentary track by director Adam Rehmeier andstar Rodleen Getsic. The commentary does provide some interesting information.Neither star was an actor prior to this, and Jeff Renfro really is a truckdriver. Adam’s story of meeting Jeff is insane. They shot short days, only fiveor six hours a day. We learn that the shots of the other woman were done inJeff’s own home. Adam and Rodleen do talk briefly about how the film was bannedin the UK. Adam calls the movie, “amodern cautionary tale that’s grounded in reality.”Safety did not seem aprimary concern in making the film. For example, in a shot where Bunny is running,they talk about how Rodleen got metal shards in her feet. But we don’t reallysee her feet in the shot, so the actor could very well have worn shoes. Iassumed she did when I was watching it. Plus, the branding, as it turns out, was real. Jeff Renfro actuallybranded Rodleen Getsic. They talk about how Jeff did it without giving thedirector any signal, and Adam was lucky he was able catch it with the camera.That is insane.The commentary is a bitfrustrating because they don’t answer the biggest question, which is, Whatexactly from this was based on Rodleen’s experience? They hint that this filmwas based at least partially on something from her life, but at no point doesshe indicate precisely which scenes or moments were from her life. Rodleen comes off as a bit of a weirdo in the commentary.She talks about how she saved a bag of her hair from the production, and stillhad it as of the time this was recorded. She also made a gift of some of her hair, and I can't help but wonder how that person reacted. The second specialfeature is a sixteen-minute documentary titled Caretaking The Monster: The Story Of The Bunny Game. This special,which is as interesting as the film, features interviews with Adam Rehmeier,Rodleen Getsic, Jeff Renfro, Gregg Gilmore, and Drettie Page.Here Rodleen does talkbriefly about her actual experience. She says she’s been “abducted more than a couple times. But this one time in particular waspretty savage.”  Jeff talks aboutattacking Adam when they first met. Adam talks about how there was no script,just a story idea. He also says the only things faked in the film are thecocaine and the alcohol.Perhaps the mostinteresting interview is with Gregg Gilmore, who plays Jonas. He’s in only onescene, but originally the film was going to be about his character. He talksabout how and why he decided he couldn’t do the whole film, and that is reallyinteresting. There was no crew for this shoot, and Rodleen was basicallywilling to do anything. Gregg, the voice of sense and reason, says, “It’s thrilling, but it’s so fuckingdangerous.”Rodleen, by the way, iscandid about her feelings about him backing out. And, clearly a bit of a nut,she says, “Part of my soul did die inmaking this film.” The DVD also includes twotrailers for the film, as well as a Poster & Still Gallery.The Bunny Game was released on Blu-ray and DVD on July 31, 2012 throughAutonomy Pictures. " /> The Bunny Game DVD Review - Blogs - Butler County Times Gazette
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The Bunny Game is a strange sort of horror film in which a

prostitute identified only as “Bunny” in the closing credits is kidnaped and

tortured by a truck driver called “Hog.” The film is presented in black and

white, which has the effect of making the world seem just slightly off from

ours, but equally real, like another layer of this life just

below the surface.








The movie opens with a

close-up shot of a woman being suffocated in a plastic bag, then cuts to Bunny

in the act of fellatio, the man’s hands holding her hair. Bunny is having

trouble breathing too, thus drawing an immediate connection between the two

women, relating the two experiences in a strange way.








Then we see Bunny

(Rodleen Getsic) in her world - walking the streets, smoking cigarettes, doing

cocaine, being used roughly by another man then crying afterwards, clearly

unhappy with her life. But then she’s back on the street, not changing because

of that experience. The film quickly establishes the odd pattern of her life. It’s

a montage, but it effectively sets up her life.








At times, the screen goes

black between scenes, also effectively working to describe her situation – the

blackouts, the missing moments when she’s absent from her own life. A john rips

her off during one of those moments. It’s surprising after that when she makes

a phone call. Who would she call? She seems so alone. But whoever it is doesn’t

answer. Maybe she called no one. This is a woman who is on her own.








All of this really works

to establish her character before the moment when things will go even more

wrong for her. And that moment has one of my favorite shots of the film. We see

the truck approaching from a long way off behind her. We notice it, and have

enough time to think about what it means for her before she notices it.  Also, this moment is where she seems her most

at ease, her most calm. She dominates the left side of the screen, as the truck

slowly pulls up on the right. It pulls over beside her, and surprises her (but

not us). And then she’s in, doing cocaine with the driver (Jeff Renfro). That’s

still part of her normal pattern, but we know things are now far from normal,

even from her version of normal.








This is when the film

changes. Bunny is knocked out for quite a while, and the man plays with her in

the back of his truck. At times it’s intense, though oddly it goes on long

enough that you become detached a bit. And when she finally wakes, screaming,

chained up, you realize it’s the next day. The truck driver is seated outside,

patient. That’s another excellent moment.








And then the torture

begins. It’s interesting, because in some ways the first part of the film is

more intense and unsettling than the second. Partly, this is because of the way

the film is cut once it gets to the torture. There’s another montage, of Hog in

the truck and, presumably, at home, torturing another woman. Flashing back to

that other woman eases the tension, rather than creating more, because that

stuff is safely in the past. It would be more intense if the film stayed

relentlessly in the present, with Bunny, there being no escape for her, nor for

us. If we stay with her, then we’re experiencing everything with her. The flashbacks effectively give us distance, because

we have more information than she does. For example, when he shaves Bunny’s

head, we’ve already seen him do it to someone else, so it’s not surprising to

us the way it would be for her. It’s not shocking.








What the other girl’s

presence does do, however, is show that Hog’s life follows its own pattern,

just as Bunny’s does, and so draws some strange connection between them.








There are a lot of crazy

flashes and quick cuts, which also seem to remove some of the tension. The

closer the film gets to a music video, the less real it feels.  I wish the film would hold on some of the

shots longer, making the audience really face what’s happening, rather than using

those short, frantic cuts. Those quick cuts do work in small doses, of course,

like a sudden racing of your heart. And there are some really good,

well-framed, interesting shots.








Plot-wise, not much

happens. But this film does stick with you. It’s sort of the mood of the thing

that stays with you, as well as some of the images. And both of the lead actors do a great job. There is a

moment near the end when Bunny expresses a sort of delirious, demented joy that

is absolutely fantastic.








It’s almost a two-person

production. The director, Adam Rehmeier, is also producer, co-writer, editor,

and cinematographer. He also did the original score. Rodleen Getsic, who plays

Bunny, is also a producer, writer, and costumer. (By the way, her own last name

is tattooed on her arm, and I had mixed feelings regarding that tattoo’s

presence in the film. On the one hand, it does make it feel that this is really

happening to her; on the other hand, I kept thinking about it, and wondering if

they couldn’t have used makeup to cover it, as the actor’s name is not

necessarily the character’s name.)








Special Features








The DVD contains several

special features, including a commentary track by director Adam Rehmeier and

star Rodleen Getsic. The commentary does provide some interesting information.

Neither star was an actor prior to this, and Jeff Renfro really is a truck

driver. Adam’s story of meeting Jeff is insane. They shot short days, only five

or six hours a day. We learn that the shots of the other woman were done in

Jeff’s own home. Adam and Rodleen do talk briefly about how the film was banned

in the UK. Adam calls the movie, “a

modern cautionary tale that’s grounded in reality
.”








Safety did not seem a

primary concern in making the film. For example, in a shot where Bunny is running,

they talk about how Rodleen got metal shards in her feet. But we don’t really

see her feet in the shot, so the actor could very well have worn shoes. I

assumed she did when I was watching it. 

Plus, the branding, as it turns out, was real. Jeff Renfro actually

branded Rodleen Getsic. They talk about how Jeff did it without giving the

director any signal, and Adam was lucky he was able catch it with the camera.

That is insane.








The commentary is a bit

frustrating because they don’t answer the biggest question, which is, What

exactly from this was based on Rodleen’s experience? They hint that this film

was based at least partially on something from her life, but at no point does

she indicate precisely which scenes or moments were from her life.








Rodleen comes off as a bit of a weirdo in the commentary.

She talks about how she saved a bag of her hair from the production, and still

had it as of the time this was recorded. She also made a gift of some of her hair, and I can't help but wonder how that person reacted.








The second special

feature is a sixteen-minute documentary titled Caretaking The Monster: The Story Of The Bunny Game. This special,

which is as interesting as the film, features interviews with Adam Rehmeier,

Rodleen Getsic, Jeff Renfro, Gregg Gilmore, and Drettie Page.








Here Rodleen does talk

briefly about her actual experience. She says she’s been “abducted more than a couple times. But this one time in particular was

pretty savage
.”  Jeff talks about

attacking Adam when they first met. Adam talks about how there was no script,

just a story idea. He also says the only things faked in the film are the

cocaine and the alcohol.








Perhaps the most

interesting interview is with Gregg Gilmore, who plays Jonas. He’s in only one

scene, but originally the film was going to be about his character. He talks

about how and why he decided he couldn’t do the whole film, and that is really

interesting. There was no crew for this shoot, and Rodleen was basically

willing to do anything. Gregg, the voice of sense and reason, says, “It’s thrilling, but it’s so fucking

dangerous
.”








Rodleen, by the way, is

candid about her feelings about him backing out. And, clearly a bit of a nut,

she says, “Part of my soul did die in

making this film
.”








The DVD also includes two

trailers for the film, as well as a Poster & Still Gallery.








The Bunny Game was released on Blu-ray and DVD on July 31, 2012 through

Autonomy Pictures.






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